Bali Sterling Silver and Bantu Nganga Ancestral Angorô e Angoroméa Inhabited Hawk's Eye
A Main Healing Altar Find
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This is another of our very long listings with an abundant text and 12 photographs, so please be patient and read the listing through.
If you have come this far we feel that you will find it was worth the wait.
Twenty-three years have now passed since we were called to do the estate that had been closed up for seventeen years!
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The Voodoo Estate
This type of call usually gets us excited as they are a treasure trove. Located here in Florida, there was no electricity or running water so we rigged our own lighting and in we went. If you have ever seen the Adams Family you will have some idea as to what we were greeted with! Then the attorney handling the liquidation gave us some background. The estate had belonged to an alleged powerful Voodoo Priestess/JooJoo Exorcist, grand daughter of a Marie Laveau, and favored daughter of a Marie Glapion.
These names meant nothing to us, but the late night talk of Voodoo and exorcism in the old mansion was enough to make us decide to spend the night in a hotel and return in the morning to assess the estate. The rest is history.
Our research has shown that this woman was what she claimed and was indeed descended from a long line of well known Vodoun family originating in New Orleans in the early 1800's. We were pretty unnerved by this until we discovered they were also devout Catholics! Although I have to admit this was unlike any Catholic home we have ever been in and some of the items found inside were a little more than disturbing.There was no feeling of dread or unwelcome in the mansion, however there was quite a bit of contraband and other items we can or will not sell here.
This is one of a few pieces from this estate we will be listing this week, so check our other listings.
We will, upon the new guardian's request, issue a named Letter of Authenticity with each lot from this estate, complying with the terms set forth to us by the estate's attorney.
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She does indeed record some dramatic, if not always successful healing treatments that she performed. Although, we must add, her record of successful treatment, although bizarre to many, had better than a 90% cure ratio, which, if true, is rather impressive.
The Mala Bracelet
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Her journals tell us; "The Aum mantra belongs to him (Ganesha), as Aum is his form in reference of his personification of primal sound. Ohmkarasvarupa, Aum is his form. The Ganapati Atharvashirsa confirms this. As translated by Swami Chinmayananda. 'O Lord Ganapati! You are (the Trinity) Brahma, Vishnu, and Mahesa. You are Indra. You are fire [Agni] and air [Vayu]. You are the sun [Surya] and the moon [Chandrama). You are Brahman. You are (the three worlds) Bhuloka [earth], Antariksha-loka [space], and Swargaloka [heaven]. You are Om. (That is to say, You are all this)."
"Aum is the sound of creation, the breath of God, the primary word. Lord Ganesha's form is shaped like and represents Aum, the primeval, creative energy. This is the sound symbol of Brahmam, Sivam, the Eternal, the Unchanging, the substratum of existence."
"Aum is sacred, and the most powerful universal symbol of the divine presence in Hindu thought. It is the sound which was generated when the world first came into being. The written manifestation of this divine symbol when inverted gives the perfect profile of the god with the elephant head."
"Ganesha is the only god associated in the physical sense with the primordial sacred sound AUM, a telling reminder of his supreme position in the Hindu pantheon."
"One should always begin prayer ritual by worshiping Ganesha with; 'Vakratunda Mahaakaaya Suryakotee Sama Prabha, Nirvighnam kuru mey Deva, Sarva kaaryeshu Sarvadaa."
"Aum gam ganapataye namah', is a mantra from Ganapati Upanishad. One does well to use it before beginning a journey, or endeavor to remove impediments so it may be crowned with success."
"Aum vakratundaya hum', is a powerful mantra discussed in the Ganesha Purana. This mantra is used many times in the Ganesha Purana to curb the atrocities of cruel demons and as a healer, used in the treatment of spinal deficiencies. Dedicate 1,008 repetitions of this holy word to straighten and heal such deficiencies."
"If some danger or any negative energy is threatening, it maybe avoided with true devotion, practice and the mantra, 'Aum kshipra prasadaya namah', for quick blessing and purification."
"A child's mantra that increases memory is 'Aum shri ganeshaya namah"
Nganga
From Wikipedia, the free encyclopedia, for the moist part...
A nganga (pl. banganga or kimbanda) is a spiritual healer, diviner, and ritual specialist in traditional Kongo religion. These experts also exist across the African diaspora in countries where Kongo and Mbundu people were transported during the Atlantic slave trade, such as Brazil, the southern United States, Haiti and Cuba.
Etymology
Nganga means "expert" in the Kikongo language. The Portuguese corruption of the meaning was "fetisher." It could also be derived from -ganga, which means "medicine" in Proto-Bantu. As this term is a multiple reflex of a Proto-Bantu root, there are slight variations on the term throughout the entire Bantu-speaking world.
Central Africa
In the Kingdom of Kongo and the Kingdom of Ndongo, expert healers, known as banganga, underwent extensive training to commune with the ancestors in the spiritual realms and seek guidance from them. They possessed the skill to communicate with the ancestors in the spiritual realm, or Ku Mpémba, as well as divining the cause of illness, misfortune and social stress and preparing measures to address them, often by supernatural means and sacred medicine, or minkisi.
They were also responsible for charging a nkisi, or physical objects intended to be the receptacle for spiritual forces that heal and protect its owner. When Kongo converted to Christianity in the late fifteenth century, the term nganga was used to translate Christian priest as well as traditional spiritual mediators. In modern Kongo Christianity, priests are often called "Nganga a Nzambi" or "priests of God." The owner and operator of an nkisi, who ministered its powers to others, was the nganga.
An English missionary describes how an nganga looks during his healing performance:
Thick circles of white around the eyes, a patch of red across the forehead, broad stripes of yellow are drawn down the cheeks, bands of red, white, or yellow run down the arms and across the chest.... His dress consists of the softened skins of wild animals, either whole or in strips, feathers of birds, dried fibres and leaves, ornaments of leopard, crocodile or rat's teeth, small tinkling bells, rattling seedpods...
This wild appearance was intended to create a frightening effect, or kimbulua in the Kongo language. The nganga's costume was often modeled on his nkisi. The act of putting on the costume was itself part of the performance; all participants were marked with red and white stripes, called makila, for protection.
The "circles of white around the eyes" refer to mamoni lines (from the verb mona, to see). These lines purport to indicate the ability to see hidden sources of illness and evil.
Yombe nganga often wore white masks, whose color represented the spirit of a deceased person. White was also associated with justice, order, truth, invulnerability, and insight: all virtues associated with the nganga.
The nganga is instructed in the composition of the nkondi, perhaps in a dream, by a particular spirit. In one description of the banganga's process, the nganga then cuts down a tree for the wood that s/he will use to construct the nkondi. He then kills a chicken, which causes the death of a hunter who has been successful in killing game and whose captive soul subsequently animates the nkondi figure. Based on this process, Gell writes that the nkondi is a figure an index of cumulative agency, a "visible knot tying together an invisible skein of spatio-temporal relations" of which participants in the ritual are aware.
Southern Africa
In South Africa, the inyanga has a medicinal role, in contrast to the sangoma, who deals with divination and the ancestral spirits, however, the distinction has become blurred in some areas and many traditional healers tend to practice both arts. In Swahili, mganga refers to a qualified physician or traditional healer.
Among the Shona people of Zimbabwe, a n'anga is a traditional healer who uses a combination of herbs, medical/religious advice and spiritual guidance to heal people. In Zimbabwe, N'angas are recognized and registered under the ZINATHA (Zimbabwe National Traditional Healer's Association).
They are believed to have religious powers to tell fortunes, and to change, heal, bless or even kill people. Traditionally N’angas were people’s main source of help in all matters of life. They have existed for centuries, well before the British colonial era. Guerrilla leaders are said to have consulted with N’angas during the Rhodesian Bush War.
Even today, N'angas are consulted by the people for advice and healing of many illnesses. Sometimes N'angas refer their patients to western medical practitioners and hospitals in case of emergency or illness they cannot cure with the help of their healing spirit.
The Americas
In the United States, nganga, who acted as spiritual leaders, played a key role in Hoodoo practices, which combined Kongo religion, Christianity and indigenous American herbal knowledge.
In Cuba, the term nganga refers to a clay pot or iron cauldron that is kept in the homes of Palo diviners, called paleros. Similar to mojo bags in the United States, these banganga contained items from important places in nature and spiritual items, such as forest dirt, volcanic ash, and the hair, ashes or bones of an ancestor. They were seen as means to honor Nzambi, the mpungo and mfumbi (ancestral spirits), and the forces of nature.
Many inverted positions of capoeira, including bananeira, aú, rabo de arraia, and others, are believed to have originated from the use of handstand by nganga imitating their ancestors, who walked on their hands in the spirit world.
She writes of the acquisition of a large quantity of this sinew from a, "Chinese healer and talisman maker known for and sought for his works," purchased at the Namche Bazaar of Nepal in 1928.
It is certainly an unusual vintage bracelet with an extraordinary provenance, that is much nicer then the photographs have been able to depict.
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Payment is due at listing end.
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