~ Voodoo Priestess Estate ~ ©
Pink Lotus Chokin on Black Lacquer Jewelry Music Box
(plays Love Story)
and
Moon Charged Contents
A Master Suite Find
~!~
Twenty-three years have now passed since we were called to do an estate that had been closed up for seventeen years!
The Voodoo Estate!
This type of call usually gets us excited as they are a treasure trove. Located here in Florida, there was no electricity or running water so we rigged our own lighting and in we went. If you have ever seen the Adams Family you will have some idea as to what we were greeted with.
Then the attorney handling the liquidation gave us some background. The estate had belonged to an alleged powerful Voodoo Priestess/JooJoo Exorcist, grand daughter of a Marie Laveau, and favored daughter of a Marie Glapion. These names meant nothing to us, but the late night talk of Voodoo and exorcism in the old mansion was enough for us to spend the night in a hotel and return in the morning to assess the estate. The rest is history.
Our research has shown that this woman was what she claimed and was indeed descended from a long line of well known Vodoun family originating in New Orleans in the early 1800's. We were pretty unnerved by this until we discovered they were also devout Catholics. Although I have to admit this was unlike any Catholic home we have ever been in and some of the items found were a little more than unnerving. There was no feeling of dread or unwelcome in the mansion, however there was quite a bit of contraband and other items we can or will not sell here.
This is one of a few lots from this estate we hope to be posting this week, so check our other listings.
We will, upon the new guardian's request, issue a named letter of authenticity with each lot from this estate, complying with the terms set forth to us by the estate's attorney.
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Some Back Story
This is one of nineteen, named "window charging boxes" recovered from a bureau in her master suite. Through her journals and inventory, we have been able to piece together that this box and its companions, would periodically be placed in hidden window boxes that allowed her to control their exposure to the sun and or moon. She claimed that bathing them, or rather the boxed contents, in the rays of the sun, moon, and/or stars at certain specified times would have a cleansing and or 'charging' affect on them.
The Box
Her journals and inventory tell us this box is one of the many items that were purchased, and/or stolen from three unnamed local gift shops that traded in Japanese imports. Although those associated with this estate were mostly generous, they would often steal things which they not only found to be amusing, they believed it imbued the stolen item with magical properties they were able to manipulate.
Examination reveals a well made Japanese black lacquer music box with an enamel and Chokin depiction of a pink lotus and golden butterfly. It plays Where Do I begin - Love Story 1971 and has it's original Japan foiled tag on the bottom.
The box measures approximately 7.5" x 5" x 2.75" and weighs 1 lb., 6 oz.
It has a mirror lined lid and two red felt lined compartments, one being channeled for rings.
Other than rubbing some exterior areas with a dry cotton cloth we made no attempt at cleaning this box. The exterior shows signs of handling which our cloth rub easily removed from those areas. The interior red felt has light staining which we feel can be removed using some packing tape to lift it.
There are no other signs of damage or repair.
She goes on to tell us, "these boxes have been known to attract spirits that will set up residence in them, but they are rarely permanent. Having them about or while traveling has them proven as spirit houses."
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The Contents
and minor commentary
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Here are two natural quartz crystal formations she has inventoried as "Lemurian Quartz Dream Crystal Point Clusters with Babies." Her journals and inventory tell us they were intentionally pruned from a larger 'teaching crystal' she had brought back from Brazil in 1949. We know very little of this trip due to two missing ledgers. She does tell us her guide had taken her party to a group of crystal caves in southern Brazil where these formations were recovered.
What we have been able to piece together from the surviving journals is the estate once had a rooftop observatory that was a Crystallography teaching classroom for the personal use of the residents. It was where the teaching of crystals or Crystallography as they saw it, was taught. These teachings involved Hermes Trismegistus early interactions with their, and if one can believe her notes, if you are reading this, "your ancestor's!"
Their journals indicate she used these clusters to assist her in past life dream recall divinations and spell invocations. They describe their being, "held aloft in both hands before being drawn into the chakra in descending order as a prelude to entering the meditative state."
She does write of this particular source and batch of "Inca Rose" as having a wide range of healing properties for "women's distress" and that it was highly valued by her guides.
This rutilated quartz ring, the teal fluorite studs and the emerald jewelry ensemble are some of the many Thai gemstone jewelry lots that were recovered from this estate with the vast majority being found in and around her main séance and reading rooms. These however she chose for her own use in this box.
Her journaled inventory tells us her Aunt Nadiene had them made for her by a Thai jeweler of Chanthaburi in 1956/57. This jeweler had copied a handful of gold and gemstone rings in vermeil, many of which were gifted and inherited by her niece.~!~
It is not clear if Aunt Nadiene was abandoned by her mother or if the mother died, orphaning the girl, but she was apparently treated and referred to as a family member, indoctrinated along with her "niece," and for many years she was her traveling companion and guardian. Her journals note of Aunt Nadiene's passing in 1966. She also notes of wearing Aunt Nadiene's jewelry, "Connected to her so closely in life, it awakens psychic qualities with a feeling of devotional joy to wear them."Other journal entries allege incidents of Aunt Nadiene, "owl shape shifting," claiming the Great Horned Owl as being her spirit guide or token spirit animal, and because of this, her taking due care in the handling of owls in her bird and reptile ceremonies, not submitting them to the torturous ceremonial deaths many other species endured during these ceremonies.
She goes on to note of a number of dreams in which a Great Horned Owl wearing her aunt's jewelry would appear to her. They also go into detail of her gazing into her stones (sphere's), to draw upon Aunt Nadiene's power to help her in this life.~!~
In her notes she writes of golden rutile quartz; "contained in this stone is an ancient energy that facilitates the complete cleansing and rejuvenation of the emotional body aura. This is a wonderful combination of energies which has allowed me patience in difficult situations, the lack of which has been a shortcoming. When held or worn I find personal powers are enhanced, and attunement to heightened awareness during out of body and dream journeys. Its protective properties, especially during the lucid dream state is physically manifested and readily available."
"Use during any meditative dream state prompts glorious dreams from which awakened reveals a reversal of the aging process. Repeated use slows this process markedly."
"It has proven a useful healer to those afflicted with digestive disorders and has promoted rapid healing of injuries, wounds and childbirth."
~!~Some other entries read; "one should not view themselves in their reflection as it is a powerful, psychic tool to open the doorways to other realms. Care must be taken not to scry while sitting in it's direct view as these are playful spirits taking great pleasure in interrupting the spell. If taken by surprise they are most cooperative."
"It is a protective stone well used in mourning as it counsels the grief encountered during this period."
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Here we have, according to her journal and inventory entries, a 1932 vintage example of a Bell Trading Post, Sterling Silver and turquoise pendant with chain. One or thirty-two pieces she purchased there that day.
The high grade, albeit small turquoise cabochon has been bezel set into a pendant measuring 3/4" x 7/16" x 3/16".
It is marked with the early BELL STERLING hallmark.
The 18 3/4" x 1.6 mm sterling silver cable chain is original to the pendant and unmarked. All test as .925 Sterling Silver Standard.
History of Bell Trading
from a 2020 article published by TSkies Jewelry.
The system of trading posts in the arid southwest had an enormous impact on how the area was shaped, both economically and in the minds and imaginations of travelers to the area. One such post was established by Jack Michelson and his wife, Mildred, in 1932 in the growing city of Albuquerque.
Mildred’s maiden name was Bell, so the Michelsons chose the name Bell Trading Post for their business. The post was located along the new highway known as Route 66. Michelson hoped this spot would be a boon in establishing his business as a place where tourists could find locally made Native American jewelry. The beginning years were a struggle but the location did help the trading post hold on, particularly when Roosevelt’s New Deal created the CCC and truckers were hitting the roads to transport goods. Bell Trading Post was in the right location to sell them souvenirs for their family back home.
Jobs were hard to come by then and many Native artisans were willing to make Jack Michelson’s jewelry. But money was scarce as well so the Michelsons looked to earlier entrepreneurs like Fred Harvey for how to make their new business a success. They installed their own machines for making the jewelry and used copper and nickel more than silver and gold to create their pieces. In the initial years, the post marked its jewelry with the image of a bell. Over the years there would be other trademarks they used, such as an arrow with a bell sign hanging from it. Most of these trademarks included a bell in some part of the design. Due to the fact that he had little competition, Jack Michelson decided against paying the cost to file these initial trademarks used during the 1930s.
The years during WWII saw the business boom. The southwest was designated as a military training area and there were many soldiers far from home looking for gifts to send back to their families. Bell Trading Post expanded its business and began to sell their products wholesale to other tourist shops.
With the death of Jack in 1957, the business of Bell Trading Post passed to his children, Jack, Douglas and Jacquelyn. The change ushered in a new era for the company. The siblings opted to file their first trademark, and to expand their product line. In 1969, they formed Sunbell, a corporation which oversaw their new product lines such as Oglala Lakota moccasins and copperware as well as their jewelry. Sunbell remained in business until the late 1980s.
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She describes a temple spiritual leader known as, "mãe-de-santo" (mother of saint), who she claims, "was an adept medium able to bridge the physical and the spiritual worlds."
She writes of visiting her temple as a welcome guest five times over a seven day period where she witnessed her teaching her initiates, many of whom displayed psychic abilities themselves, in the ways of Umbanda.
She also describes the Umbanda Temple as, "a makeshift structure of little difference to the housing in her town save for the hand painted plank of wood that was hung over the entrance bearing the name of the temple."
She goes on to note of the charitable works provided by this woman and her group such as volunteer assistance to orphanages and medical clinics, aiding in the distribution of medicine and providing care for the elderly and infirm, often opening her meager home to them. Her notes also tell of her providing a $10,000.00 cash donation to this temple for their good works. That is equivalent to $141,526.91 today!We quote from these notes, "She then led the congregation in song and dance which was followed by drinking hard cider and cigar smoking. She, being separated from the congregation by a small white wood fence. As the congregation became immersed in the singing and dancing, many suddenly became possessed by spirits, acting and speaking in personas other than their own. Those who became possessed were recognized as having psychic power and, after the ceremony were invited to become initiates. She herself however sang and danced through the night without experiencing possession although she did appear to be in a trance state which was surely caused by cachaça intoxication."
Another entry reads; "During a private meeting she produced amethyst in which she was able to invoke Father Olorum for guidance to help her ease the troubles of her people such as money matters, sickness, marital strife and trouble with the authorities."
She claims these gems were cut from those same amethyst specimen which was gifted to her upon her departure.
Of this amethyst she writes, "having invoked the supreme being it has had the breath of life upon it which has caused it to contain a soothing, healing energy that readily transfers to all that hold and peer into it."
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Back to the Gems
We estimate the value of this 14.05 tcw pair of faceted pear amethyst gems at $109.50.
Curandero's Mexican Fire Opal
Her journaled inventory tells us he was known to her in 1938 as Jose, a Yajalon Curandero and Walking Shaman. He was not the only one of his kind that minerals and gems recovered from this estate were attributed to, often making it difficult to differentiate them as they occupied some of the same timeline's and geographical locations.
In this case, Jose, aka Don Jose, aka Don Lucio is identified through the mention of the sourced opal and the rings she had procured from him.
The 1938 entries concerned a group of opals he had accepted as an offering. He had vowed to go their place of origin, the opal mines of Querétaro, Mexico to stock up on this opal. We assume he was motivated by whatever she paid or traded him. He is again mentioned in 1949 entries, as now being known as Don Jose, healer and opal trader and a sizable amount of "Don Jose Opal" was recovered from this estate.
According to her entries, he had walked the seven hundred miles from his home in Yajalón to find fortune in Querétaro pursuing his trade as 'Healer, Opal Collector and Trader'.
Don Jose, now known as Don Lucio in 1958, is also now known as 'Granicero Healer, Silversmith, Opal Collector and Trader', which is the time these faceted opals first appear in her inventory.
This was also an obviously successful endeavor as her journals and inventory tell us she had received over one hundred of his stones that year and at least that many and an assortment of his rings over the course of the next twenty-four years culminating in 1982.
Only a small portion of these were all that remained for us to recover from this estate by the time we got there.
Don Lucio's new title of Granicero, makes him an atmospheric ritualist, or in this particular case, a lightning ritualist, it having been said he had been struck by lightning numerous times in his lifetime.
The Gem, and more commentary...
She goes on to provide us with detailed descriptions and histories of their use to which we have added commentary of our own."A money draw, it is as if a magnet to draw in wealth. It is also a healer and a stone of protection. It can be relied upon to relieve deficiencies of energy while stimulating the libido and adrenal glands."
"He (Don Lucio), afforded cure to his patients suffering from fever, jaundice, indigestion, sore throats, neck swelling, hemorrhoids and depression, but he had won renown for his Susto, Mal puesto and Mal ojo works."
She goes on to describe these, "works" in a number of entries which describe the cause and symptoms of these spells, such as, "Susto is a fright sickness caused by traumatic and frightening experiences often emplaced during the victim's dream state. Look for insomnia, lethargy, depression, irritability and anxiety as symptoms. Effective treatment can be affected by covering the head with a Holy Water immersed cloth keeping it moist with periodic sprinkling in addition to spitting alcohol into the patients face unexpectedly and irrigating them internally with herbs".
She writes of, "Mal ojo" as being the evil eye cast by one blessed with the, "strong eye." Those that admire children without touching them are easily afflicted. The symptoms here are often diffuse so it is best to attempt cure by passing a fresh laid egg over the patient's entire body before placing it in a bowl under the patient's pillow overnight. In the morning, if the egg is cooked then treatment for mal de ojo is in order."
She also writes of "Mal puesto" as the use of sorcery to invoke disease. This is a true hex used by bruja throughout Mexico, Central and South America. Here the Symptoms vary, as does the cure. This involves, massage, herbal treatment, prayers and invocational chants performed in conjunction with arm crossing (anointing with oil and chili powder in the sign of the cross) and herbal pepper enemas."
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The story of how Don Lucio, who was once Jose, the Yajalon Curandero, had come into possession of the original opals that had started this fervor was related to her and she made detailed note of it for us, "Given to his father, by his father before him, it had been worn in a gold pendant belonging to a witch who was acting as guide for the Spanish as they made their way north. This was most likely a trek from Chile in the 16th. century!"
"In his own words he related, 'they lay in surprise trap for these invaders, falling upon their camp in the early hours of dawn to free them of their lives."
She also notes of his group having numerous, "helms and breastplates taken from this massacre being used as reformed cooking utensils 300 years later by the villagers."
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This Gem
Examination reveals an 11.1125 x 7.935 x 4.78 mm, 1.78 ct., faceted oval Mexican Fire Opal gem of fine cut and polish.
The gem displays an intense inner predominantly pale yellow/green with some orange and green fire like play of color when viewed under single sourced light.